Announcements If you're new to this blog, then read our guides to the basics: Skin (Part I), Skin (Part II), The Supernatural, Color Theory I, Color Theory II, Eyes, and Brushes. Also, check out the blogsale. Contents Favored Art Tattler the glamourai The Non-Blonde Perfume Shrine Lisa Eldridge Garance Doré Smitten Kitchen Into The Gloss Grain de Musc Lacquerized Res Pulchrae Drivel About Frivol The Selfish Seamstress Killer Colours Bois de Jasmin Glossed In Translation Jak and Jil Toto Kaelo Worship at the House of Blues I Smell Therefore I Am Food Wishes The Natural Haven Messy Wands 1000 Fragrances Moving Image Source Wondegondigo The Emperor's Old Clothes M. Guerlain Colin's Beauty Pages Barney's jewelry department Parfümrien loodie loodie loodie The Straight Dope Sea of Shoes London Makeup Girl Sakecat's Scent Project Asian Models Ratzilla Cosme Smart Skincare Illustrated Obscurity A.V. Club Tom & Lorenzo: Mad Style Eiderdown Press Beauty and the Bullshit La Garçonne Flame Warriors Everyday Beauty Fashion Gone Rogue Now Smell This Dempeaux Fashionista The Cut A Fevered Dictation Nathan Branch 101 Cookbooks |
![]() As with most other fashion rules - no white after Labor Day, always wear hose with dresses and skirts, no shorts after summer - the rule against wearing black with brown has been thrown out the window. The pairing of black and brown can create a very rich look. The trick is to choose a brown that has some depth. Flat, matte true browns without depth cannot create a contrast against black, causing the colors to clash. Browns with depth, meaning those that feature an undertone color, create the illusion of depth and contrast with black, allowing the colors to work in concert. There are no particular undertones that must be paired with black, though I find medium-to-deep browns with warm undertones work best as they provide the most contrast. Should you wear a couple of brown items with black, there is no need to match the browns. The more depth, the better. Rather than getting hung up on specific shades, though, it's more important to focus on the visual depth you're creating. If the outfit has depth, you're on your way. If the brown and black you're wearing seem to clash, you probably need to find a more complex brown. Labels: fashion notes, garance dore, sartorialist 3/02/2010 [0] ![]() This image from The Sartorialist illustrates that strong shoulders are wearable, need not be overwrought, and do not have to refer to the eighties. These shoulders work because they add definition to the jacket and balance out the wearer's hips, thereby creating an overall lean silhouette. These are not shoulder pads for show. They do not extend from her body or add heft. They simply provide definition and balance. Shoulder pads will never be for everyone, but when used appropriately, they can provide a necessary balance to fuller hips and provide a frame for the rest of an outfit to fall from. Labels: fashion notes, sartorialist 5/18/2009 [4] |
Subscribe to The Mnemonic Sense Most Wanted The Beauty Primer Lookbook Bestsellers Consumer Diaries Closet Confidential On The Label Beauty Notebook The Hit List Color Me In The Makeup Artist Wedding Bells Globe Trotter Desert Island perfume notes beauty notes fashion notes culture notes minimalism chypre arc floral arc fresh arc masculines arc gourmands & orientals arc Archives August 2008 September 2008 October 2008 November 2008 December 2008 January 2009 February 2009 March 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 August 2010 November 2010 December 2010 January 2011 March 2011 August 2011 September 2011 October 2011 November 2011 December 2011 January 2012 February 2012 June 2012 July 2012 August 2012 September 2012 October 2012 December 2012 January 2013 February 2013 March 2013 June 2013 July 2013 Images Photobucket |